For more information on the Jazz Studies Program at Saddleback College contact Joey Sellers
Curricula include Improvisation, Jazz Composition and Arranging, Jazz History Syllabus, Jazz History Audio, Jazz History Podcast, Jazz Piano, Saddleback Big Band, Jazz Lab Ensemble, and Combos.
For more information on the Jazz Studies Program at Saddleback College contact Joey Sellers
Alto saxophonist and composer Jacob Zimmerman is an extremely versatile and integral part of the Seattle creative-music community. As an educator, Jacob teaches private lessons in jazz improvisation and saxophone, and works as an ensemble coach for the Seattle JazzED after-school program.
New York jazz saxophonist John O'Gallagher is a force to be reckoned with both as a performer and as a composer." - Blogcritics.org -" a player with crisp articulation and intriguing ideas" - JazzTimes
"He is a leader in every sense of the word." - Jazz Review
"flat-out thrilling" - Cadence Magazine
"convincingly ferocious" - Downbeat
A performance by the John O’Gallagher Trio will delight jazz enthusiasts. Born in California, based in New York since the early 90’s, O’Gallagher has recorded extensively for discerning labels like Clean Feed and Fresh Sounds, and has been a mainstay of big bands for Maria Schneider, Kenny Wheeler and the late Joe Henderson, with whom he won a Grammy. The trio consists of John O’Gallagher – alto sax, Ronan Guifoyle – bass, and Jeff Williams – drums.
Directed by Joey Sellers, this concert features student arrangements. You won’t want to miss this exciting performance.
The Saddleback Jazz Combos create stimulating jazz on the McKinney stage.
Voice, instrumental, piano and jazz students perform in recital. Come see why Music at Saddleback College is so highly regarded – it’s our very talented students!
Students will explore the creative possibilities of improvisation in the African-American tradition. This class includes analyses of historically important improvised solos, transcription, chord/scale relationships and study of various jazz styles.
This class alternates between composing and arranging for big band and smaller ensembles. Proper jazz notation, harmonization techniques, orchestration, and study of historically important composers are important components of this class.
Students will look at the cultural, political and musical aspects of this great American music. Students will develop the critical listening skills necessary to identify different styles and different musical personalities.
Students will learn how to use jazz voicings, read a lead sheet, develop improvisation skills and identify chord/scale relationships.
Joey Sellers, Director, trombone
Joey Sellers is a highly regarded composer, arranger, trombonist and educator. Sellers, Director of Jazz Studies at Saddleback College, teaches improvisation, jazz ensembles, composition, and jazz history.
An accomplished composer in both jazz and classical idioms, Sellers has written for Doc Severinsen, the Lincoln Center Jazz Orchestra, symphony orchestras in Tulsa, Long Beach and San Antonio and several works commissioned by the St. Louis Brass.
Sellers has played and recorded with internationally recognized jazz musicians, including Dave Liebman, Joe LaBarbara, Bruce Fowler, Lew Tabackin, Kim Richmond, Allen Vizzutti, Conrad Herwig, Bobby Shew, Tony Malaby, Mike Formanek, Clay Jenkins, Toshiko Akiyoshi's Jazz Orchestra and the Kenny Wheeler Large Ensemble.
Sellers freelanced for years in New York City and Los Angeles and was Assistant Professor of Jazz Studies at Northern Illinois University. Recipient of the Gil Evans Fellowship in Jazz Composition, the Sammy Nestico Award, and most recently, the Julius Hemphill Composition Award, Sellers is the only artist in history to have received all three awards.
Dr. Ariel Alexander
Dr. Ariel Alexander has gained recognition as a Los Angeles saxophonist, composer, educator and entrepreneur. Originally from St Louis, she earned her B.A. at Indiana University and her master's and doctoral degrees from the University of Southern California. She has presented concerts throughout the US, South America, Europe and Asia and performed with such artists as Stevie Wonder, Steve Miller (Steve Miller Band), Take 6, Nancy Wilson, Natalie Cole, Patti Austin, Ruben Studdard, and Monica Mancini. As a studio musician, Ariel regularly records for television and film soundtracks. As an active member of the music education community, Ariel has presented at the Jazz Education Network Conference, the Technology in Music Education Conference, and the California Music Educators Conference. Her recent publications include articles in Music Educators Journal, The Woman Conductor and Jazz Education Magazine. In addition to her experience as a performer and educator, Ariel is well-versed in Music Business and Arts Administration. She has served in leadership roles for several non-profit music education programs. In 2007, Ariel founded the mobile recording studio, Rock Star Workshop. Managing a staff of seven, she planned and booked over 150 events a year, recruited and trained event coordinators and maintained a comprehensive internet marketing program. In five years, the business recorded over 5,000 children. www.ArielAlexander.com
Jamie Rosenn, guitar
Jamie Rosenn is a guitar player committed to forging a personal sound that acknowledges the past but also points to the future. Trained at the New England Conservatory of Music in Boston, where he received a Bachelors Degree in Music, Rosenn studied with jazz luminaries Jimmy Giuffre, Ran Blake, Mick Goodrick, George Russell and Bob Moses.
After completing his studies in Boston, Jamie moved to California where he attended the California Institute of the Arts (CalArts) in Valencia. At CalArts Jamie studied with Charlie Haden, Leo Smith and Joe LaBarbera and was a featured performer and composer on the '94 and '95 CalArts Jazz CDs.
Since receiving his Master Degree from CalArts Jamie has been an active member of the Los Angeles jazz scene. In 1996 Jamie was chosen by the United States Information Agency to be an artistic ambassador and perform in a duo that took part in a seven week tour of the Middle East and South Asia.
In addition to performing, Jamie also teaches and has taught at the Musician’s Institute, Saddleback College, the Los Angeles Music Academy, the University of California at Los Angeles, and CalArts. Jamie currently performs as a member of the trio JoE-LeSs shOe with Jason Harnell and Matt Otto who released their self titled CD in 2007. Additionally, Jamie co-leads the organ trio Option 3, with Joe Bagg and Mark Ferber that released their debut CD "Points Subtracted" in early 2008.
Luther Hughes, bass
Bassist Luther Hughes received his training at the University of Cincinnati's College Conservatory of Music and Long Beach City College, earning his bachelor's degree from Cal State Long Beach. His teachers included Alex Cirin, Thomas Martin, Nat Gangursky, Eileen Strang and Sue Raney.
Luther is involved in the music business in a number of ways:
As a musician, he currently leads The Cannonball-Coltrane Project, as well as Luther Hughes & Friends: Remembering The Nat King Cole Trio, and H.E.R.K.. As a record producer and music publisher, Luther heads up Primrose Lane Music, which he founded in 2004. As an educator, Luther has formerly taught at Cal State University Long Beach, Golden West College and the Musicians Institute.
He currently teaches at Saddleback College as well as Cal State Fullerton and also serves as the Southern California Regional Director for Bruce Forman's JazzMasters Workshop. Luther has played bass with some of the biggest names in jazz in a career spanning over 30 years. He has performed or recorded with jazz legends such as Gene Harris, Mundell Lowe, Joe Henderson, Carmen MacRae, Willie Bobo, Horace Silver, Harold Land, Don Ellis, Joe Pass, Louis Bellson, Hampton Hawes and many more.
Having recorded and performed on stage, and for film and television scores, Luther has appeared as a band member on Star Trek: Deep Space Nine and Boston Legal.
Gerald T. Pinter, saxophones
Jerry Pinter received his Bachelor of Music degree from University of North Texas. Mr. Pinter was a Member of the Woody Herman Orchestra from 1984 to 1987, served as saxophonist and a featured soloist for live performances and recordings and also taught saxophone master classes at the high school and college levels at schools throughout the U.S.
Private instruction for elementary, intermediate and advanced students at local Orange County music stores and at his home from 1992 to 2001. He currently holds a part-time position as applied jazz saxophone instructor at University of California Irvine since 2006 and a part-time position as applied jazz saxophone instructor at Saddleback College since 2002.
Jerry has performed and/or recorded with: Stan Getz, Maynard Ferguson, Joe Williams, Nancy Wilson, Rosemary Clooney, Billy Eckstine, Richard Stoltzman, Buddy DeFranco, Poncho Sanchez, Tony Bennett, Cab Calloway, Mel Torme, Clark Terry, and numerous others. Mr. Pinter also received two grammy nominations (50th Anniversary”-l986 and “Woody’s Gold Star”-1987 both on Concord Records label). Mr. Pinter can be heard on over forty recordings. Produced or Co-produced four full- length CD recordings, and have recorded nine original Pinter compositions.
Ron Stout, trumpet
Born into a musical family in 1958 in California, Ron Stout is a third-generation musician. A Musician’s Union member since age 15, Ron studied music at Orange Coast College and Golden West College where he was frequently the recipient of "Best Soloist" awards from Jazz Festivals statewide. Ron has been involved with teaching Jazz Theory/Improvisation and trumpet since 1978, both as a private instructor and in the role of clinician, drawing on his years of experience conducting seminars while traveling and playing with the Woody Herman Orchestra (1984-90), first under the baton of the Maestro, Woody, then under the leadership of the brilliant Frank Tiberi. Since 1991 Ron has taught part-time, recorded and performed in and around Los Angeles, traveling occasionally to Europe upon invitation.
He has worked with the Righteous Brothers, Bill Medley, Jose Feliciano, Frankie Laine, Lou Rawls, Debbie Reynolds, Gloria Loring, Patti Page, Kay Starr, Maureen McGovern, Sue Raney, Bobby Short, Steve Lawrence/Eydie Gorme, Little Anthony, The Four Tops, The Temptations, The Spinners, and Colin Raye. During his years with The Woody Herman Orchestra, Ron was honored to back up Tony Bennett, Rosemary Clooney, Nancy Wilson, Diane Schuur, Roberta Flack, Anita O'Day, Jack Jones, Cab Calloway, The Mills Brothers, The Four Freshmen, The Dukes of Dixieland, Pete Barbutti, Frank Sinatra, Jr., Mel Torme, Bill Eckstine, Joe Williams, Richard Stoltzman, Buddy Defranco Stan Getz, Al Chon, Scott Hamilton, Maynard Ferguson, Arturo Sandoval, Clark Terry, Dizzy Gillespie, and more. He has worked with other big bands, including Les Brown’s Band of Renown, Frank Capp's "Juggernaut," The Clayton/Hamilton Jazz Orchestra, Roger Newman's Rather Large Band, Bill Watrous, Refuge West, Glen Garrett's Brazilian Big Band, The Maria Schneider Jazz Orchestra, and John Fedchock's New York Big Band.
Ron spent three seasons traveling and recording with Horace Silver in groups ranging from the classic quintet setting to the ten-piece brass ensemble. His other small group jazz work has been with: Saxophonist Karl Denson, Pepper Adams, and Supersax; Pianist Les Czimber also with Poncho Sanchez, Matt Zebley, and David Berger.
He can be heard locally and traveling with big bands such as Bill Holman, Buddy Childers, Jack Sheldon, and The Bob Florence Limited Edition. Ron also has his own modern quintet, featuring Jerry Pinter on tenor saxophone.
His recordings include: Bill Holman Band - Brilliant Corners (JVC); Bob Florence Limited Edition - Serendipity 18 (Mama) ; Phil Norman Tentet - Yesterday's Gardenias (Seabreeze); Matt Zebley - Live at Moondog (Vibrant); Tom Garling - Maynard Ferguson Presents… (Concord); Vic Lewis' West Coast All Stars - Me & You (Candid); and Barbara Morrison - I'm Getting' Long All Right (Chartmaker Recorders). A complete discography is available on request.
Paul Johnson, drums
Paul Johnson began his musical training in Michigan at the Interlochen Arts Academy and continued his education at Arizona State University in jazz performance. He studied multiple percussion with Mervin Britton and Dr. Mark Sunkett and jazz drums with Ralph Humphries and Jeff Hamilton.
Paul’s early professional career included international tours with The Four Freshmen, The Ink Spots, The Four Lads, The Pied Pipers, The Lettermen, and Donald O’Connor. He has backed up such stars as Sammy Davis Jr., Rosemary Clooney, Natalie Cole, Melissa Manchester, Mel Torme, and Ella Fitzgerald. Paul also spent time on tour with the legendary Woody Herman and his Thundering Herd performing with Al Cohn, Clark Terry, and the great Joe Williams at Carnegie Hall.
As a current member of the award-winning Side Street Strutters Jazz Band, Paul appears regularly with Pops Orchestras including: the Houston Symphony, the Phoenix Symphony, the Atlanta Symphony, the Wichita Symphony, the Tulsa Philharmonic, the Orlando Symphony, the San Antonio Symphony, the Pasadena Pops Orchestra, and the York Symphony Orchestra.
Mr. Johnson is the recipient of two consecutive grants from Arts International to perform at jazz festivals throughout Europe. He also received a touring grant from the National Endowment of the Arts to perform historical transcriptions of Jelly Roll Morton and Jack Teagarden throughout North America and Europe. Paul also fronts a jazz quintet with some of L.A.’s finest players appearing in various local venues.
In addition to his busy private teaching studio, Paul conducts jazz clinics and master classes for jr. high, high school, and college students across the United States under the auspices of the California Arts Council, Community Concerts Association, and “Live On Stage”. Paul is currently on faculty at Saddleback College school of Fine Arts as percussion and drum set instructor.
The Saddleback Big Band is a standard size big band that explores wide stylistic territory. From the great Swing Era music of Earl Fatha Hines, Duke Ellington, Fletcher Henderson through the exotic voyages of Sun Ra, the rich textures of Gil Evans to music penned moments prior to performance, this engaging ensemble always thrills. Most concerts feature a world premier combined with music of swinging historical importance. Guest artists have included James Moody, Jane Ira Bloom, Dave Liebman, Bill Holman, Charles McPherson, Nicholas Payton, Tony Malaby, Mark Helias, and others.
Though the Big Band enjoys playing at its home in the beautiful McKinney Theatre at Saddleback College, they are also frequently featured at jazz festivals and jazz venues throughout the Southland.
The most important aspect of any jazz studies program is the combo program. This is where the true nature of jazz music is addressed. Style, improvising skills, interplay among members and composition are all addressed in a focused chamber music environment.
The Jazz Lab Ensemble is an improvisatory based group whose size is malleable. The ensemble ranges from 7 to 20 members, depending on instrumentation and the nature of the music featured in each concert. Previous performances have featured the music of Thelonious Monk, Duke Ellington, Wayne Shorter, Charlie Parker, and original compositions by band members.The jazz ensemble will perform at different functions and may perform with nationally-known guest artists. Offered as open-entry/openexit.
One of the most vibrant applied programs offered by any undergraduate music school in the United States, the Applied Program is the Saddleback Music Department's crown jewel. Competitive and comprehensive, the Applied Program enrolls students in a weekly applied lesson, an ensemble class (piano ensemble for pianists), and a weekly concert hour, a performance class required of all music majors, during which students demonstrate their performing abilities before their classmates and the Music Faculty, in a professional concert setting. Most Applied Program students also enroll in classes such as music theory, music history, and choir.
Auditions for the Applied Program are held on the first Thursday of each semester between Noon and 2 pm in room FA 101. To schedule your audition, contact the Applied Program Coordinator, Professor Norm Weston: email@example.com. Prepare a program of between five and ten minutes duration, preferably memorized and featuring contrasting styles, to showcase your abilities.